Following the Second World War, the United States would become the leading ‘neoliberal’ proponent of international trade liberalization. Yet for nearly a century before, American foreign trade policy was dominated by extreme economic nationalism. What brought about this pronounced ideological, political, and economic about face? How did it affect Anglo-American imperialism? What were the repercussions for the global capitalist order? In answering these questions, The ‘Conspiracy’ of Free Trade offers the first detailed account of the controversial Anglo-American struggle over empire and economic globalization in the mid- to late-nineteenth century. The book reinterprets Anglo-American imperialism through the global interplay between Victorian free-trade cosmopolitanism and economic nationalism, uncovering how imperial expansion and economic integration were mired in political and ideological conflict. Beginning in the 1840s, this conspiratorial struggle over political economy would rip apart the Republican Party, reshape the Democratic Party, and redirect Anglo-American imperial expansion for decades to come.
Dead Reckoning: Transatlantic Passages on Europe and America
Dead reckoning is the nautical term for calculating a ship’s position using the distance and direction traveled rather than instruments or astronomical observation. For those still recovering from the atrocities of the twentieth century, however, the term has an even grimmer meaning: toting up the butcher’s bill of war and genocide.
As its title suggests, Dead Reckoning is an attempt to find our bearings in a civilization lost at sea. Conducted in the shadow of the centennial of the First World War, this dialogue between Romanian American poet Andrei Guruianu and Italian American essayist Anthony Di Renzo asks whether Western culture will successfully navigate the difficult waters of the new millennium or shipwreck itself on the mistakes of the past two centuries. Using historical and contemporary examples, they explore such topics as the limitations of memory, the transience of existence, the futility of history, and the difficulties of making art and meaning in the twenty-first century.
Andrei Guruianu teaches in the Expository Writing Program at New York University. His previous books include the poetry collections Made in the Image of Stones and Portrait without a Mouth.
Anthony Di Renzo is Associate Professor of Writing at Ithaca College and the author of many books, including Bitter Greens: Essays on Food, Politics, and Ethnicity from the Imperial Kitchen, also published by SUNY Press.
Little Miss Grouch: A Narrative Based Upon the Private Log of Alexander Forsyth Smith’s Maiden Transatlantic Voyage, pp. 1-206
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text – remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
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The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic (Race in the Atlantic World, 1700-1900)
Popular and academic representations of the free mulatta concubine repeatedly depict women of mixed black African and white racial descent as defined by their sexual attachment to white men, and thus they offer evidence of the means to and dimensions of their freedom within Atlantic slave societies. In The Mulatta Concubine, Lisa Ze Winters contends that the uniformity of these representations conceals the figure’s centrality to the practices and production of diaspora.
Beginning with a meditation on what captive black subjects may have seen and remembered when encountering free women of color living in slave ports, the book traces the echo of the free mulatta concubine across the physical and imaginative landscapes of three Atlantic sites: Gorée Island, New Orleans, and Saint Domingue (Haiti). Ze Winters mines an archive that includes a 1789 political petition by free men of color, a 1737 letter by a free black mother on behalf of her daughter, antebellum newspaper reports, travelers’ narratives, ethnographies, and Haitian Vodou iconography. Attentive to the tenuousness of freedom, Ze Winters argues that the concubine figure’s manifestation as both historical subject and African diasporic goddess indicates her centrality to understanding how free and enslaved black subjects performed gender, theorized race and freedom, and produced their own diasporic identities.
New Conference: Maladies of the Soul, Emotion, Affect, September 22-25 2016, Banff
Keynotes
1. Daniel Heath Justice, University of British Columbia
2. Smaro Kamboureli, University of Toronto
3. Daniel Laforest, University of Alberta
Round-Table of Invited Authors
1. Nicole Brossard, Montreal, Quebec
2. Louise Dupré, Montreal, Quebec
3. Katherena Vermette, Winnipeg, Manitoba
4. Aritha van Herk, Calgary, Alberta
According to D. Bachmann-Medick, a scientific turn is not synonymous with the radical reorientation of a single discipline but basically provides a new pluri- and transdisciplinary perspective complementing and reinforcing already existing approaches. A new turn does not supplant another but becomes part of a dynamic process of competing forces, which eventually may give rise to new categories of analysis and concepts. Studying both the general implications and the positive effects and deficits of such a turn is particularly rewarding when it comes to comparing different academic traditions and – as is the case with this transatlantic and transdisciplinary conference – different literary productions written in different languages.
In the wake of the conference “Crisis and Beyond,” held at the University of Innsbruck in 2015, “Maladies of the Soul, Emotion, Affect” not only responds to recent attention to affect, or the “affective turn” dubbed by Patricia Clough, but also investigates the impact of previous forms of research both on emotions and cognition on the study of Indigenous, Canadian and Québécois writings in English and French. If empathy and agency have evolved as new guiding principles in some fields of literary analysis, their roots can be found in such classical disciplines as poetics, rhetoric, or hermeneutics (Th. Anz), and also in the focus on agency advocated by the Constance school of reception theory. While selecting contemporary Indigenous, Canadian and Québécois writings in English and French as a body of investigation, the participants are encouraged to explore the emotional and affective implications of the process of literary communication, including both conceptual and empirical research and covering the following aspects:
• the emotional and affective habitus of the producer (the “real” author), her / his intentional or non-intentional use of techniques of emotionalisation, her / his definition of a specific poetics, and their possible impact on the text
• the emotional and affective response of the “real” reader to these techniques
• the text as a vehicle of emotions or affects which names, discusses or presents them as parts of the mental habitus of the protagonists (Th. Anz); the aesthetic question of how such processes are evoked (use of metaphors, inscription of the body, syntax of the unspeakable, etc.).
The focus on contemporary literature necessarily confronts us with S. Žižek’s assessment of the 21st century as the “apocalyptic zero point” and S. Ahmed’s, L. Berlant’s and others’ warnings of the West’s “cruel” attachments to neoliberal optimism. S. Ngai identifies “ugly feelings” while M.C. Nussbaum addresses the ethics of care as an affective, and alternative, form of knowledge, agency, and democracy (J. Tronto).
• And so what are the affects and emotions that index the particularity of our literary moment or our moment of crisis?
• How does intimacy or privacy respond to publicness?
• What is today’s equivalent of Romantic ennui and melancholy?
• Do situations of exile and migration enhance the new “maladies of the soul” (J. Kristeva)?
• Do authors ask questions of liveliness and animacy (M.Y. Chen)?
• Which lives today are considered worth living and are recognized as such (J. Butler)?
• How might Indigenous literary and critical interventions undo the very categorizations and labels suggested by this call for papers and enable us to tell different stories (D.H. Justice)?
These and other lines of critical inquiry – on the basis of the above-mentioned emotional and affective implications of literary communication – are designed to allow participants to approach affect, emotion, and the new maladies of the soul of this 21st century, a task which will advance terminological, methodological, and theoretical knowledge both in the fields of affect and emotion and of text analysis.
In the treatment of this description, we encourage comparative, multidisciplinary, and interdisciplinary perspectives and methodologies. We invite proposals of traditional 20-minute papers as well as other forms of presentation such as short 10-minute position papers, round-tables, or pecha kucha presentations. Complete panel proposals (of 3 or 4 papers) are also highly encouraged.
Proposals (250 words per paper), in English or in French, with a short biographical note (50 words), should be submitted to clcconf@ualberta.caby February 1, 2016.
New Book: Edinburgh Companion to Nineteenth-century American Letters and Letter-Writing
The Edinburgh Companion to Nineteenth-Century American Letters and Letter-Writing
Edited by Celeste-Marie Bernier and Judie Newman
Edited by Matthew Pethers
Published by Edinburgh University Press
This comprehensive study by leading scholars in an important new field – the history of letters and letter writing – is essential reading for anyone interested in nineteenth-century American politics, history or literature. Because of its mass literacy, population mobility, and extensive postal system, nineteenth-century America is a crucial site for the exploration of letters and their meanings, whether they be written by presidents and statesmen, scientists and philosophers, novelists and poets, feminists and reformers, immigrants, Native Americans, or African Americans. This book breaks new ground by mapping the voluminous correspondence of these figures and other important American writers and thinkers. Rather than treating the letter as a spontaneous private document, the contributors understand it as a self-conscious artefact, circulating between friends and strangers and across multiple genres in ways that both make and break social ties.
New Book: Writing for Justice: Victor Séjour, the Kidnapping of Edgardo Mortara, and the Age of Transatlantic Emancipations
Transatlantic Emancipations (Re-Mapping the Transnational: A Dartmouth Series in American Studies) Paperback – November 3, 2015
In Writing for Justice, Elèna Mortara presents a richly layered study of the cultural and intellectual atmosphere of mid-nineteenth-century Europe and the United States, through close readings of the life and work of Victor Séjour, an expat American Creole from New Orleans living in Paris. In addition to writing The Mulatto, an early story on slavery in Saint-Domingue, Séjour penned La Tireuse de cartes (The Fortune-Teller, 1859), a popular play based on the famed Mortara case. In this historical incident, Pope Pius IX kidnapped Edgardo Mortara, the child of a Jewish family living in the Papal States. The details of the play’s production—and its reception on both sides of the Atlantic—are intertwined with the events of the Italian Risorgimento and of pre–Civil War America. Writing for Justice is full of surprising encounters with French and American writers and historical figures, including Hugo, Hawthorne, Twain, Napoleon III, Garibaldi, and Lincoln. As Elèna Mortara passionately argues, the enormous amount of public attention received by the case reveals an era of underappreciated transatlantic intellectual exchange, in which an African American writer used notions of emancipation in religious as well as racial terms, linking the plight of blacks in America to that of Jews in Europe, and to the larger battles for freedom and nationhood advancing across the continent.
This book will appeal both to general readers and to scholars, including historians, literary critics, and specialists in African American studies, Jewish, Catholic, or religious studies, multilingual American literature, francophone literature, theatrical life, nineteenth-century European politics, and cross-cultural encounters.
New Book: New World Courtships: Transatlantic Alternatives to Companionate Marriage
New World Courtships: Transatlantic Alternatives to Companionate Marriage (Re-Mapping the Transnational: A Dartmouth Series in American Studies) Paperback – November 3, 2015
Feminist literary critics have long recognized that the novel’s marriage plot can shape the lives of women readers; however, they have largely traced the effects of this influence through a monolithic understanding of marriage. New World Courtships is the first scholarly study to recover a geographically diverse array of eighteenth- and nineteenth-century novels that actively compare marriage practices from the Atlantic world. These texts trouble Enlightenment claims that companionate marriage leads to women’s progress by comparing alternative systems for arranging marriage and sexual relations in the Americas. Attending to representations of marital diversity in early transatlantic novels disrupts nation-based accounts of the rise of the novel and its relation to “the” marriage plot. It also illuminates how and why cultural differences in marriage mattered in the Atlantic world—and shows how these differences might help us to reimagine marital diversity today.
This book will appeal to scholars of literature, women’s studies, and early American history.
New Book: From the Other Side: Stories of Transatlantic Travel by Henry B. Fuller
New Book: Transatlantic Abolitionism in the Age of Revolution: An International History of Anti-slavery, c.1787-1820
Transatlantic Abolitionism in the Age of Revolution offers a fresh exploration of anti-slavery debates in the late eighteenth and early nineteenth centuries. It challenges traditional perceptions of early anti-slavery activity as an entirely parochial British, European or American affair, and instead reframes the abolition movement as a broad international network of activists across a range of metropolitan centres and remote outposts. Interdisciplinary in approach, this book explores the dynamics of transatlantic abolitionism, along with its structure, mechanisms and business methods, and in doing so, highlights the delicate balance that existed between national and international interests in an age of massive political upheaval throughout the Atlantic world. By setting slave trade debates within a wider international context, Professor Oldfield reveals how popular abolitionism emerged as a political force in the 1780s, and how it adapted itself to the tumultuous events of the late eighteenth and early nineteenth centuries.